MAUVAIS CONTACT - personal agenda

mauvais contact

[2022] [2021] [2020] [2019] [2018] [2017] [2016] [2015] [2014] [2013] [2012] [2011] [2010]
Shu Lea Cheang
download vitae2023
shulea@mauvaiscontact.info

* Entering 2023 - chez B.K. Taitung.
* Staring research with Friends of Attention on Attention Economies, Algorithms, and Social Justice, a two year Creative Europe/European Union project.
* Screening 3 feature films - FRESH KILL(1994), I.K.U.(2000), FLUIDØ(2017) at excentricofest, Chile.

SELECTED WORKS

UKI (2009-2023) a scifi viral ALT-reality cinema in post-production
HAGAY DREAMING (2022-) a Techno Fantasia guided theatre of Revival from Dowmong, Taiwan
SLEEP (since 2018) co-authored with Matthew Fuller
UNBORN0x9 (since 2016) with Future Baby Production initiated with Ewen Chardronnet
3x3x6 (2019) Venice Biennale 2019
GARLIC=RICHAIR (2019 remake) Rhizome.org
MYCELIUM NETWORK SOCIETY (since 2017) Post-Net nature's network
WONDERS WANDER (2017) a mobi web series for Madrid Pride 2017
FLUIDØ the movie (2017) a cypherpunk scifi movie
CRISISRUS by LAPTOPSRUS (2013) collective networked performance
SEEDS UNDERGROUND (2013) underground party for seed exchange
ACCIDENTAL LANDING (2013) accidentally the wind blows
COMPOSTING THE CITY (2012) adopt a composter
COMPOSTING THE NET (2012) biodegradable data trash
BABY WORK (2012) third part of Locker Baby Project (2001-2012)
CYCLEX (2012) make art make farm, Andes, New York
MOVINGFOREST (2008-2012) 12 hour distributed performance
LAPTOPSRUS (2009-2011) a woman live performers' network platform
AGLIOMANIA (2008-2010) garlic as post-crash currency
FISTING CLUB (2008) performance with Wendy DeLorme
MOBIOPERA (2007) collective cinema with mobilephones
BABY LOVE (2005) 2nd part of locker baby project
MILK (2004) 56K-bastard TV, Switzerland
TRAMJAM RUSH HOUR (2004 - 2007) by Mumbai Streaming Attack
TAKE2030 (2003-2006) hypermedia collective based in london
BURN (2003) burning pirated music CD
GARLIC=RICH AIR 2030 (2003) Limbo Zone, Venice Biennale 2003.
GARLIC=RICH AIR (2002) Challenge to the Fields, Creative Time, New York
KINGDOM OF PIRACY (2002-2006) curated netspace
I.K.U. (2000) Sundance Film Festival
BRANDON (1998-1999) Guggenheim Museum commission
[collection] [relaunch 2017] [netart anthology Rhizome]
BUY ONE GET ONE (1997) NTT[ICC] Biennale exhibition and collection [website recovered]

EARLY ONLINE ART

Expand, an interface (2001), commissioned by telepolis, restored in Java script (2022).
APT(2002), commissioned by xcult, shrink to fit
STOP(2002), commissioned by Amnesty International

RECENT ARTICLES

Interview Virus Becoming: Shu Lea Cheang on Viral Love Biohack published at Makery.info
On the Basis of Face: Biometric Art as Critical Practic its History and Politics Devon Schiller, Institute of network cultures
The Digiarchitextual Body – or: Brandon’s Corporeal Virtualities, Jeppe Ugelvig, Parallax 91 Routledge
sex, prison and digital surveillance, Ewen Chardronnet for MAKERY.
Society Has Become the Biggest Panopticon, Zach Blas for Frieze.
You are. They is. *neo ultra punk*, warehouse industries.
A Network of Spores, Jenna Sutela for transmediale Berlin.
Cyphersex pioneer: Shu Lea Cheang, Jill Blackmore Evans for Exberliner, Berlin.
Bodies are packaged made to be opened , B. Ruby Rich re-published at rhizome, New York
Compost your orgasm trash, Matthew Fuller for Mute, London.
BRANDON, Yin Ho for Rhizome, New York.
interactive mythologies, Maxence Grugier for Digitalarti Paris.
Shu Lea Cheang art reseau au femininsingulier @rtek for Culture Mobile Orange Paris

WORK SAMPLE

works 2000s - 2000 to 2014
works 1990s - 1990 to 1999
dated 2030 - published at a minima in 2005