MAUVAIS CONTACT - personal agenda

mauvais contact

[2017] [2016] [2015] [2014] [2013] [2012] [2011] [2010]
Shu Lea Cheang
download
vitae2018 pdf
shulea@mauvaiscontact.info

01

* Cous in 2018 with Rokia at 100 who migrated from Algeria to Marais Paris in 1954, who at 100 received a photography book offered by Mairie de Paris.
* Launch Mycelium Network Society [ADOPT A NETWORK], a brand new network initiative a la Franchise mode.
* UNBORN0x9 at Open Source Body festival by medialab Makery with workshops [FB event] at la Paillasse and presentation/performance [FB event] at La Gaite Lyrique, Paris.

02

* Stadtwerkstatt presents premiere Austrian screening of FLUIDØ at MOVIEMENTO, Linz.
* Screening FLUIDØ, closing night film, first edition of Porn Film Festival Vienna.

03

* PLASMA Lecture at department of medis study, University of buffalo. [the talk]
* Screening I.K.U. at Squeaky Wheel
* Screening FLUIDØ at Hallwalls Contemporary Art Center.
* Benefit screening FLUIDØ at MIXNYC, presented by Alex Juharz.
* Persent Mycelium Network Society at Nature Lab, Troy, New York.
* Lecture iEAR Presents! : VIRUS RISING at RPI, Troy, New York. [the talk]
* Screening FLUIDØ at Columbia University, co-sponsored by MA in Modern and Contemporary Art, Dept.of Art History and archaeology, MA in Film And Media Studies.

04

* Showing films and casting performance at Spoutnik Cinema, Geneva.
* Installation MAKING NEWS MAKING HISTORY, live from Tiananmen Square (1990) at [不只是歷史文件:港台錄像對話1980-1990s] HONG KONG/TAIWAN video dialogue 1980 -1990s, presented by Taiwan International Documentary Festival at MoCA Taipei.
* Public dialogues - The Shu Lea MIX with five prominent writers/artists in Taiwan along with screenings of FLUIDØ, hosted by WOMEN MAKE WAVES.
* interview, Decades In the Making by Banyi Huang,published at ArtAsiaPacific.
* 鄭淑麗:電影、媒體、2030 interview by 孫松榮、林欣怡, published at 藝術觀點ACT│Art Critique of Taiwan.

05

* 色慾政治X數位皮囊, interview by Lee Tzu Tung for Woman Make Waves.
* Installation Those Fluttering Objects of Desire (1992-1993) at RES, London.
1-900-DESIRES digitalized audio on line.
* 什麼是陰道觀點?專訪鄭淑麗:歷史與高潮,另一種內部思考 interview by 謝以萱, published at BiosMonthly, Taipei.
* NEO ULTRA PUNK, happenings based on my films, FLUIDØ and WONDERS WANDER, including screenings [related short films + panel discussion] , FLUIDØ screening Q&A with Matthew Fuller, performance [let's make a sequel] - [open call] - [liberate the fluid] and workshop shadow sistxrs fight club at ICA, London in collaboration with RES, London. [ICA press release]

06

* moderating at –empyre- soft-skinned space, a month long online discussion titled "rehearsal of a network", all postings archived
*「數位遊牧者」的跨域分身 interview by XiaoXiao Yen, published at 典藏 ARTouch.
* BRANDON at I Was Raised on the Internet, Museum of Contemporary Art Chicago.
* WONDERS WANDER at Pink Life Queer Fest, Berlin

07

* Residency at Roja Art Lab with project HOODIE2030 by TAKE2030.

SELECTED WORKS

MYCELIUM NETWORK SOCIETY (2018) a network initiative a la Franchise mode
WONDERS WANDER (2017) a mobi web series for Madrid Pride 2017
FLUIDØ the movie (2017) a cypherpunk scifi movie
CRISISRUS by LAPTOPSRUS (2013) collective networked performance
SEEDS UNDERGROUND (2013) underground party for seed exchange
ACCIDENTAL LANDING (2013) accidentally the wind blows
COMPOSTING THE CITY (2012) adopt a composter
COMPOSTING THE NET (2012) biodegradable data trash
BABY WORK (2012) third part of Locker Baby Project (2001-2012)
CYCLEX (2012) make art make farm, Andes, New York
UKI (2009-2012) a viral performance & a viral game
MOVINGFOREST (2008-2012) 12 hour distributed performance
LAPTOPSRUS (2009-2011) a woman live performers' network platform
AGLIOMANIA (2008-2010) garlic as post-crash currency
FISTING CLUB (2008) performance with Wendy DeLorme
MOBIOPERA (2007) collective cinema with mobilephones
BABY LOVE (2005) 2nd part of locker baby project
MILK (2004) 56K-bastard TV, Switzerland
TRAMJAM RUSH HOUR (2004 - 2007) by Mumbai Streaming Attack
TAKE2030 (2003-2006) hypermedia collective based in london
BURN (2003) burning pirated music CD
GARLIC=RICH AIR 2030 (2003) Limbo Zone, Venice Biennale 2003.
GARLIC=RICH AIR (2002) Challenge to the Fields, Creative Time, New York
KINGDOM OF PIRACY (2002-2006) curated netspace
I.K.U. (2000) Sundance Film Festival
BRANDON (1998-1999) Guggenheim Museum commission
[collection] [relaunch 2017] [netart anthology Rhizome]
BUY ONE GET ONE (1997) NTT[ICC] Biennale exhibition and collection

EARLY ONLINE ART

Expand, an interface (2001), commissioned by telepolis
APT(2002), commissioned by xcult, shrink to fit
STOP(2002), commissioned by Amnesty International

RECENT ARTICLES

You are. They is. *neo ultra punk*, warehouse industries.
A Network of Spores interview- transmediale/resource, Berlin.
Cyphersex pioneer: Shu Lea Cheang interview published at Exberliner, Berlin.
FLUIDØ cypherpunk film interview published at seditionart.com, London.
"Bodies are packaged made to be opened" published at rhizome.org
interview with Matthew Fuller at Mute, London.
Interview with Annet Dekker at skor.nl
interview with Yin Ho at Rhizome, New York.
review at interactive mythologies, Digitalarti Paris by Maxence Grugier.
review at Culture Mobile Orange Paris@rtek.

WORK SAMPLE

works 2000s - 2000 to 2014
works 1990s - 1990 to 1999
dated 2030 - published at a minima in 2005